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Page titleStandfirstBodyAbout the report Royalty income data is compiled from its collective management organisation (CMO) members to generate this comprehensive annual global collection report. This report features figures up based on the gross domestic collections of 227 CISAC members in 116 countries as of 2024. To avoid double-counting, only final royalties collected for the use of creative works are compiled. International exchanges among CMOs, which are based on reciprocal agreements, are excluded. Collections are presented globally, on a regional basis, and via the five CISAC repertoires that member societies represent: music, audiovisual, drama, literature and visual arts. slipping through the cracks has grown. Types of use Collection data is split by types of use. These include: Performing Rights Collections from the use of creative works when transmitted to the public by TV or radio broadcasters, satellite or cable operators, and certain broadcastrelated online services (e.g., catch-up TV). This may involve both performing and reproduction rights, as a copy of the work is often made before transmission. Live & Background Collections for the performance of works in front of a live audience (e.g., playing, reciting, singing in public) and from recorded works played in public places such as hotels, restaurants, clubs, or karaoke bars. Digital and Multimedia Collections from licensing digital services (e.g., downloads, streaming platforms) or use of works on recordable digital media (e.g., USB keys). Compact Discs (CDs) Collections from licensing the mechanical reproduction of musical works on CDs, vinyl records, or cassettes. Video Collections from licensing musical works within audiovisual productions reproduced on DVDs or Blu-ray. Mechanical Reproduction Collections from reproduction of works such as books, newspapers, and brochures in drama, literature, and visual arts repertoires (excluding music). Reprography Collections from photocopying or printing graphic works, usually gathered from manufacturers or importers of such devices. Private Copying Levies collected from manufacturers or distributors of blank media and devices with storage capacity (e.g., smartphones, computers), compensating rightsholders for personal use copying. Resale Right A small percentage of the resale price paid to visual artists when their works are re-sold through auction houses or galleries. Rental and Public Lending Collections from the rental or lending of original or copied creative works to the public. Synchronisation Right Collections from incorporating a musical work into a soundtrack accompanying visual images (e.g., films, commercials, games). Exposition Right Collections from the public exhibition or display of artworks (e.g., museums). Educational Collections from educational institutions for the use of works in teaching, including classroom performance or display. Types of rights CISAC member societies manage two main types of rights on behalf of their affiliated authors and publishers: Performing Rights Performing rights let creators be remunerated when their works are performed in public, either through live performance or when a recording is played. These rights also apply when works are communicated to the public by radio, TV broadcast, or by digital platforms such as streaming services. Reproduction Rights Reproduction rights allow creators to be remunerated every time a copy of their creative work is made in any format, including physical copies like CDs, vinyl or a digital download. Mechanical rights describe the right obtained by record producers to make a sound recording of a musical work. The term reprography pertains to copying literature and printed works. Consumers may copy works from one device to another through a private copying exception in certain national laws. Creators can be compensated for this exemption through a private copying remuneration, typically in the form of a levy on blank digital media or electronic devices with data-storage capability. Other Rights Other rights include all that do not fall under performing or reproduction rights such as royalties from private copying levy schemes, rental or public lending, educational use, synchronisation, exhibition, and the resale right (for visual artists, collected from auction houses and galleries.) CISAC Forewords CISAC AI Fraud Highlights Market analysis Futuresource Collections by repertoire Collections by region Tables of collections Membership About the report Methodology80 81Forewords CISAC AI Fraud Highlights Market analysis Futuresource Collections by repertoire Collections by region Tables of collections Membership About the report Methodology Global Collections Report