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Page titleStandfirstBodyMusic collections by region (EUR million)Canada/USA 27.9%%u20ac3,509M, +10%Asia-Pacific 14.6%%u20ac1,837M, +2.9%Europe 51,2%%u20ac6,445M, +7.3%Latin America 5.7%%u20ac718M, +3.3%W. Europe 47.5%%u20ac5,975M, +6.6%Central and Eastern Europe 3.7% %u20ac471M, +17.9%Africa 0.6%%u20ac79M, +10%Digital music income breaks EUR5bn barrierFor the first time, collections from the digital use of music reached EUR5bn as growth accelerated to +10.8% in 2024. The total represents a sevenfold rise over the past decade with digital remaining comfortably the repertoire%u2019s largest sector at 39.8% of total income.Digital music collections saw growth in all the top ten countries, and combined, their revenue accounted for 83% of the global digital total. More than one-quarter of this total was generated in the USA, where collections grew by +16.1% to reach EUR1.4bn. Due to improved contracts and new distributor licences, Italy%u2019s revenues grew the fastest amongst the top ten countries, rising +27.2%. .Streaming market expansion allowed France and South Korea to realise increases above +12%, whilst in Mexico, new deals with platforms such as Crunchyroll, led to a rise of +8.4%. In the UK, PRS for Music reported +179% growth in video game revenue, whilst in Slovenia, digital income more than doubled following the 2023 decision by the Slovenian IPO to allow local society SAZAS to manage digital rights.Central and Eastern Europe is the world%u2019s fastest growing music regionFor the first time, Central and Eastern Europe was the fastest growing region for music repertoire collections, rising by +17.9% to reach EUR470m. Digital income grew by +20.2% due to improved licensing conditions and cooperation with pan-European licensing bodies. However, despite an eightfold increase over the decade, digital still makes up a relatively modest 13.9% of the regional total. The broadcast sector dominated, rising by +16.3% due to strong performance in Poland, T%u00fcrkiye, and a more than doubling of revenue in Slovenia due to a successful court litigation covering a past period. Broadcast totals exceeded EUR200m and made up 43.1% of the regional music total, with a lot of potential to further increase broadcast collections across Albania, Bosnia and Herzegovina, Armenia and Bulgaria in the futureLive & background also performed well, growing by more than one-fifth in Poland and Croatia as local societies continued to improve efficiency and maximise collections from the booming live concert market. Private copying revenue grew by +20.6% due to a +19.4% rise in Hungary and the start of collections in Serbia. Following CISAC%u2019s lobbying efforts, an updated governmental decree allowed the inclusion of several digital devices for the first time.Revenues in Uzbekistan doubled as local society SIIP gained a provisional membership of CISAC that helped to facilitate a mentorship programme from Polish society ZAiKS. Music collections in Central and Eastern Europe ended the year +55.7% above their 2015 total.German collections exceed EUR1bn after rising +3.9%Music revenues in Germany reached EUR1bn following a +13.7% boom in the thriving live & background sector. German music society GEMA cited an increase in major events, overall market growth and increased ticket prices as contributing factors. A new AI music monitoring device called %u201cKIM%u201d was successfully tested at festivals, improving processing efficiency while producing 2,600 setlists. Broadcast also grew, with income from TV & radio increasing by +1.8% in recovery from a -5% drop the year before. Conversely, private copying collections fell by -21.5% following a +27% rise in 2023. In contrast to many other countries, digital growth slowed in Germany, rising just +1.2% reflecting a slowdown in streaming market growth and the impact of accounting adjustments from previous periods.%u00a9 Sebastian Wo%u0142osz for ZAiKS+1.8% increase in broadcast income from TV and radio marked a recovery from the -5% decline the previous yearCountry/Territory Digital Collections Total Collections % ShareMexico 161 232 69.4%Australasia 225 366 61.5%Canada 192 368 52.1%South Korea 138 276 49.9%United Kingdom 587 1,178 49.8%Japan 397 885 44.9%United States 1,394 3,140 44.4%France 650 1,503 43.3%Germany 309 1,019 30.4%Digital collection champions (Music only) (EUR million)The International Mieczys%u0142aw Kar%u0142owicz Composers%u2019 Competition took place in Szczecin, Poland in November 2024CISAC Forewords CISAC AI Fraud Highlights Market analysis Futuresource Collections by repertoire Collections by region Tables of collections Membership About the report Methodology32 33Forewords CISAC AI Fraud Highlights Market analysis Futuresource Collections by repertoire Collections by region Tables of collections Membership About the report Methodology Global Collections Report